© 2025 Whisp Pictures
© 2025 Whisp Pictures
© 2025 Whisp Pictures
Turntable
Turntable
Turntable

Turntable
The Pitch


Turntable
The Pitch


Turntable
The Pitch


Whisp Pictures Presents

Whisp Pictures Presents
a Ryan Kay film
a Ryan Kay film
Runtime
Runtime
25 m
25 m
Genre
Genre
/
/
Drama
Drama
/
/
Thriller
Thriller
/
/
Fantasy
Fantasy
Tone
Tone
/
/
Intense
Intense
/
/
Thrilling
Thrilling
/
/
Suspenseful
Suspenseful
Theme
Theme
/
/
Identity
Identity
/
/
Music
Music
/
/
Love
Love
Budget
Budget
$60K
$60K
Shoot
Shoot
1 Week
1 Week
Schedule
Schedule
July 2025
July 2025
Location
Location
United States
United States



Whisp Pictures Presents
a Ryan Kay film
Runtime
25 m
Genre
/
Drama
/
Thriller
/
Fantasy
Tone
/
Intense
/
Thrilling
/
Suspenseful
Theme
/
Identity
/
Music
/
Love
Budget
$60K
Shoot
1 Week
Schedule
July 2025
Location
United States




Logline

Logline

Logline
A troubled musician discovers a turntable that transports him into his parents’ violent past, uncovering dark family secrets that entangle him in a thrilling blend of music, mystery, and love.
In order to become who we aspire to be
In order to become who we aspire to be
In order to become who we aspire to be
we must kill the person we once were
we must kill the person we once were
we must kill the person we once were
Cast & Characters
Cast & Characters
Outlander | Kirikou


Outlander | Kirikou


Outlander | Kirikou


Romann Berrux
Confirmed
Robin, 25, is a guilt-ridden musician yearning for redemption.
Passionate about vintage music, he wrestles with family secrets and the trauma of losing his parents.
A mysterious turntable sparks a journey of self-confrontation, driving him to reconcile his legacy and seek peace.
His Only Son | Three Thousand Years of Longing


His Only Son | Three Thousand Years of Longing


His Only Son | Three Thousand Years of Longing


Nicolas Mouawad
Confirmed
David, Robin’s father, is a charismatic yet tormented man haunted by dangerous choices.
Torn between familial devotion and a consuming criminal world, he clings to a desperate plan for redemption.
His risky actions to protect his loved ones shape Robin's turbulent path.
David, Robin’s father, is a charismatic yet tormented man haunted by dangerous choices.
Torn between familial devotion and a consuming criminal world, he clings to a desperate plan for redemption.
His risky actions to protect his loved ones shape Robin's turbulent path.
David, Robin’s father, is a charismatic yet tormented man haunted by dangerous choices.
Torn between familial devotion and a consuming criminal world, he clings to a desperate plan for redemption.
His risky actions to protect his loved ones shape Robin's turbulent path.
Xoftex | Impostors and Ponies


Xoftex | Impostors and Ponies


Xoftex | Impostors and Ponies


Eva Ariane Heise
Confirmed
Marie, Robin's mother, is both nurturing and fiercely intelligent.
As the operation's strategic mind, she safeguards her family despite their perilous life.
Her resilience and love guide every choice, leaving a lasting imprint on Robin as he strives to mirror her strength.
Marie, Robin's mother, is both nurturing and fiercely intelligent.
As the operation's strategic mind, she safeguards her family despite their perilous life.
Her resilience and love guide every choice, leaving a lasting imprint on Robin as he strives to mirror her strength.
Marie, Robin's mother, is both nurturing and fiercely intelligent.
As the operation's strategic mind, she safeguards her family despite their perilous life.
Her resilience and love guide every choice, leaving a lasting imprint on Robin as he strives to mirror her strength.
Queer | Il Nibio


Queer | Il Nibio


Queer | Il Nibio


Lorenzo Pozzan
Confirmed
Frédéric is a ruthless force, driven by power and control.
Once David's close friend, their Parisian bond was shattered by betrayal.
Abandoned by those he called family, Frédéric thirsts for retribution.
Armed with intimate knowledge, he becomes Robin's most dangerous obstacle.
Frédéric is a ruthless force, driven by power and control.
Once David's close friend, their Parisian bond was shattered by betrayal.
Abandoned by those he called family, Frédéric thirsts for retribution.
Armed with intimate knowledge, he becomes Robin's most dangerous obstacle.
Frédéric is a ruthless force, driven by power and control.
Once David's close friend, their Parisian bond was shattered by betrayal.
Abandoned by those he called family, Frédéric thirsts for retribution.
Armed with intimate knowledge, he becomes Robin's most dangerous obstacle.

Synopsis

Synopsis

Synopsis
Robin is a musician who discovers a vintage turntable hidden in his cluttered apartment.
As he plays its vinyl records, he is mysteriously transported into the past, witnessing moments from his parents' secretive and dangerous lives.
Through these vivid voyages, Robin learns of his father's ties to a violent criminal and uncovers the dark family secrets that led to his parents' tragic deaths. Drawn deeper into this time-bending journey, Robin experiences his parents' love, struggles, and life-altering decisions.
The turntable becomes a portal through which Robin confronts his family's history, unraveling a story filled with music, mystery, and danger. As he navigates these revelations, Robin must grapple with his own identity and the legacy of crime that haunts him, seeking redemption and a way to break free from the cycle of violence.
Turntable intertwines the past and the present in one location, creating a suspenseful narrative that explores themes of love, loss, and the transformative power of music.

Note on The Film

Note on The Film

Note on The Film
This film is an intimate exploration of personal transformation through the eyes of Robin.
By uncovering the hidden past of his parents and confronting his own trauma, Robin embarks on a profound journey of self-discovery.
This narrative holds deep significance for me because it highlights the powerful influence of our past in shaping our present and future.
It demonstrates that true change requires an understanding and acceptance of our personal history.
Turntable serves as a mirror, reflecting our own hidden truths and the difficult decisions that define our identities. It is an invitation to look back in order to move forward with courage and honesty.
Visual Style
Visual Style
Cool Present
Warm Past
Music
Music
Preview of the Original Motion Picture Soundtrack for "Turntable" produced by our composer Alexander Held

Who is it for?

Who is it for?

Who is it for?
marginalised included weird normal fun boring misfits conformists free-spirited restrained whimsical serious dreamers realists passionate apathetic creatives unimaginative quirky ordinary you
marginalised included weird normal fun boring misfits conformists free-spirited restrained whimsical serious dreamers realists passionate apathetic creatives unimaginative quirky ordinary you
marginalised included weird normal fun boring misfits conformists free-spirited restrained whimsical serious dreamers realists passionate apathetic creatives unimaginative quirky ordinary you

Comparable Titles

Comparable Titles

Comparable Titles









Born in Beirut, Lebanon, Ryan Kay grew up immersed in an environment of aesthetics, owing to his architect father, Jihad Khairallah, and designer mother, Nadine Roufael. This early exposure to design, coupled with his passion for music, contributed significantly to his creative growth.
Kay's debut in the film industry was marked by his self-written and directed sci-fi short film, "Coalescent". The film achieved international recognition, securing awards in Beirut, London, Madrid, Arizona, and Los Angeles, thus marking Kay as an emerging talent in the global film landscape.
His films are characterised by a unique blending of complex character development, detailed visuals, and immersive soundscapes, reflecting his musical and architectural influences.
With every project, Ryan Kay commits to crafting a holistic viewing experience that seamlessly taps into his audience's perception of the world.
He compels them to watch, observe, and experience the film.
"Coalescent" (2021)



















Producer
Jacob Karim
Featured in IndieWire as one of the first filmmakers to produce a feature in Manhattan off of the height of COVID in June 2020.


Producer
Jacob Karim
Featured in IndieWire as one of the first filmmakers to produce a feature in Manhattan off of the height of COVID in June 2020.


Producer
Jacob Karim
Featured in IndieWire as one of the first filmmakers to produce a feature in Manhattan off of the height of COVID in June 2020.


Producer
Kirsten Russell
Worked in NYC on stage and in film for over two decades, starring in the Slamdance and Sundance premieres of “Virgil Bliss” and “Milk and Honey”.


Producer
Kirsten Russell
Worked in NYC on stage and in film for over two decades, starring in the Slamdance and Sundance premieres of “Virgil Bliss” and “Milk and Honey”.


Producer
Kirsten Russell
Worked in NYC on stage and in film for over two decades, starring in the Slamdance and Sundance premieres of “Virgil Bliss” and “Milk and Honey”.


Composer
Alexander Held
From Munich, Germany, his work seamlessly bridges the worlds of classical orchestration and contemporary experimental electronic techniques.


Composer
Alexander Held
From Munich, Germany, his work seamlessly bridges the worlds of classical orchestration and contemporary experimental electronic techniques.


Composer
Alexander Held
From Munich, Germany, his work seamlessly bridges the worlds of classical orchestration and contemporary experimental electronic techniques.


Cinematographer
Noah Sanan
Fuses his Lebanese and French heritage into a distinctive cultural perspective. With experience in shooting short films, commercials, and music videos, he brings a wealth of knowledge and technical expertise to every project.


Cinematographer
Noah Sanan
Fuses his Lebanese and French heritage into a distinctive cultural perspective. With experience in shooting short films, commercials, and music videos, he brings a wealth of knowledge and technical expertise to every project.


Cinematographer
Noah Sanan
Fuses his Lebanese and French heritage into a distinctive cultural perspective. With experience in shooting short films, commercials, and music videos, he brings a wealth of knowledge and technical expertise to every project.




a feature film
a feature film
Set across three fragmented timelines, The Other Side is a nonlinear emotional thriller told through the interwoven perspectives of three characters: David, a nostalgic dreamer clinging to the past; Fred, his volatile best friend with dangerous ambition; and Robin, David’s son, summoned decades later through time to bear witness to what shaped him. At its core, the film is a meditation on time, grief, and the delicate chain of choices that defines us.
2000s, Paris. In a dimly lit jazz bar tucked beneath an aging apartment, David and Fred toast to friendship. They live above the bar, broke but bound by dreams and a shared history. Fred is ready to move on; David can’t let go. Their landlord, Antoinette, announces she’s closing the bar. She shows David an old turntable—her “magic device.” She’s half-joking, but it stirs something in him.
Fred reactivates a connection with Moustache, a patriarchal crime boss from his past. A job is proposed: a high-stakes heist to steal a turntable rumored to manipulate time. Fred pulls David in. Marie, Moustache’s daughter and the operation’s strategist, joins the team. Moustache gives them a mysterious vinyl disc.
Late one night, David places the disc on Antoinette’s turntable—and time slips. He finds himself decades earlier, facing a younger Antoinette who explains the device’s real power. Back in the present, David realizes: the real turntable never left the bar. The heist is a lie.
David confesses to Antoinette, confirming he’s the man she once met. She trusts him now. He buys the bar with his remaining savings and begins to pull away from the plan—and from Fred.
Tensions rise. Fred feels betrayed. At a party, David falls in love with Marie. Meanwhile, Fred reconnects with Joan, a manipulative ex-partner who seduces him with validation and ambition. Their dynamic grows toxic. Joan fuels Fred’s ego—urging him to take more, to lead.
David and Fred meet at the museum. David reveals the turntable there is fake. Fred doesn’t understand—he’s too deep. David shows Marie the real device. She reveals her secret: Moustache is her father.
Fred snaps. Moustache, sensing Fred’s instability, shares the myth behind his rise. Fred finds it underwhelming—just another man behind a mask. Enraged, he shoots Moustache in the head and flees with his money. Fred is no longer a friend. He’s something else.
Meanwhile, in the future, Robin, now 25, returns to the empty apartment above the bar. He finds the turntable, photographs, and three numbered records. Playing Record No. 1, he falls through time—landing in the past, staring at the parents he never truly knew.
Over successive time jumps, Robin learns the truth: he was summoned. David and Marie, with nothing left, reached into the future hoping their son could witness and carry their story forward. Robin meets them as people—flawed, loving, frightened. And he begins to see himself.
Fred is coming. The past tightens its grip.
David and Marie spend their final night together. They prepare in silence and leave behind a note to their son.
Robin plays the third record. The apartment is different now. Shadows of violence hang heavy in the air. He hides with his child self as Fred storms in with two goons. A confrontation unfolds like a quiet war—measured, intimate, inevitable.
David, realizing that Robin is watching—and with no way to speak to him directly—makes an impossible choice.
To protect Marie from what Fred might do, and to send Robin a final message, David shoots Marie in front of the glass-top dinner table, grabbing his son’s attention. In that moment, he sends him a subtle cue: “Take a seat.”
Inside the table’s concave base, something is hidden.
Fred kills David. The record keeps spinning.
Robin returns to the present. Tears. Silence. Blood on vinyl. He breaks the final disc. Then—he takes a seat.
Lifting the glass of the dinner table, he finds two leather duffel bags stuffed with money—and a folded note: “Robbie, come back.”
With trembling hands, Robin places Record No. 1 back on the turntable. He picks up the bags.
The needle drops and scratches the disc.
Set across three fragmented timelines, The Other Side is a nonlinear emotional thriller told through the interwoven perspectives of three characters: David, a nostalgic dreamer clinging to the past; Fred, his volatile best friend with dangerous ambition; and Robin, David’s son, summoned decades later through time to bear witness to what shaped him. At its core, the film is a meditation on time, grief, and the delicate chain of choices that defines us.
2000s, Paris. In a dimly lit jazz bar tucked beneath an aging apartment, David and Fred toast to friendship. They live above the bar, broke but bound by dreams and a shared history. Fred is ready to move on; David can’t let go. Their landlord, Antoinette, announces she’s closing the bar. She shows David an old turntable—her “magic device.” She’s half-joking, but it stirs something in him.
Fred reactivates a connection with Moustache, a patriarchal crime boss from his past. A job is proposed: a high-stakes heist to steal a turntable rumored to manipulate time. Fred pulls David in. Marie, Moustache’s daughter and the operation’s strategist, joins the team. Moustache gives them a mysterious vinyl disc.
Late one night, David places the disc on Antoinette’s turntable—and time slips. He finds himself decades earlier, facing a younger Antoinette who explains the device’s real power. Back in the present, David realizes: the real turntable never left the bar. The heist is a lie.
David confesses to Antoinette, confirming he’s the man she once met. She trusts him now. He buys the bar with his remaining savings and begins to pull away from the plan—and from Fred.
Tensions rise. Fred feels betrayed. At a party, David falls in love with Marie. Meanwhile, Fred reconnects with Joan, a manipulative ex-partner who seduces him with validation and ambition. Their dynamic grows toxic. Joan fuels Fred’s ego—urging him to take more, to lead.
David and Fred meet at the museum. David reveals the turntable there is fake. Fred doesn’t understand—he’s too deep. David shows Marie the real device. She reveals her secret: Moustache is her father.
Fred snaps. Moustache, sensing Fred’s instability, shares the myth behind his rise. Fred finds it underwhelming—just another man behind a mask. Enraged, he shoots Moustache in the head and flees with his money. Fred is no longer a friend. He’s something else.
Meanwhile, in the future, Robin, now 25, returns to the empty apartment above the bar. He finds the turntable, photographs, and three numbered records. Playing Record No. 1, he falls through time—landing in the past, staring at the parents he never truly knew.
Over successive time jumps, Robin learns the truth: he was summoned. David and Marie, with nothing left, reached into the future hoping their son could witness and carry their story forward. Robin meets them as people—flawed, loving, frightened. And he begins to see himself.
Fred is coming. The past tightens its grip.
David and Marie spend their final night together. They prepare in silence and leave behind a note to their son.
Robin plays the third record. The apartment is different now. Shadows of violence hang heavy in the air. He hides with his child self as Fred storms in with two goons. A confrontation unfolds like a quiet war—measured, intimate, inevitable.
David, realizing that Robin is watching—and with no way to speak to him directly—makes an impossible choice.
To protect Marie from what Fred might do, and to send Robin a final message, David shoots Marie in front of the glass-top dinner table, grabbing his son’s attention. In that moment, he sends him a subtle cue: “Take a seat.”
Inside the table’s concave base, something is hidden.
Fred kills David. The record keeps spinning.
Robin returns to the present. Tears. Silence. Blood on vinyl. He breaks the final disc. Then—he takes a seat.
Lifting the glass of the dinner table, he finds two leather duffel bags stuffed with money—and a folded note: “Robbie, come back.”
With trembling hands, Robin places Record No. 1 back on the turntable. He picks up the bags.
The needle drops and scratches the disc.
Set across three fragmented timelines, The Other Side is a nonlinear emotional thriller told through the interwoven perspectives of three characters: David, a nostalgic dreamer clinging to the past; Fred, his volatile best friend with dangerous ambition; and Robin, David’s son, summoned decades later through time to bear witness to what shaped him. At its core, the film is a meditation on time, grief, and the delicate chain of choices that defines us.
2000s, Paris. In a dimly lit jazz bar tucked beneath an aging apartment, David and Fred toast to friendship. They live above the bar, broke but bound by dreams and a shared history. Fred is ready to move on; David can’t let go. Their landlord, Antoinette, announces she’s closing the bar. She shows David an old turntable—her “magic device.” She’s half-joking, but it stirs something in him.
Fred reactivates a connection with Moustache, a patriarchal crime boss from his past. A job is proposed: a high-stakes heist to steal a turntable rumored to manipulate time. Fred pulls David in. Marie, Moustache’s daughter and the operation’s strategist, joins the team. Moustache gives them a mysterious vinyl disc.
Late one night, David places the disc on Antoinette’s turntable—and time slips. He finds himself decades earlier, facing a younger Antoinette who explains the device’s real power. Back in the present, David realizes: the real turntable never left the bar. The heist is a lie.
David confesses to Antoinette, confirming he’s the man she once met. She trusts him now. He buys the bar with his remaining savings and begins to pull away from the plan—and from Fred.
Tensions rise. Fred feels betrayed. At a party, David falls in love with Marie. Meanwhile, Fred reconnects with Joan, a manipulative ex-partner who seduces him with validation and ambition. Their dynamic grows toxic. Joan fuels Fred’s ego—urging him to take more, to lead.
David and Fred meet at the museum. David reveals the turntable there is fake. Fred doesn’t understand—he’s too deep. David shows Marie the real device. She reveals her secret: Moustache is her father.
Fred snaps. Moustache, sensing Fred’s instability, shares the myth behind his rise. Fred finds it underwhelming—just another man behind a mask. Enraged, he shoots Moustache in the head and flees with his money. Fred is no longer a friend. He’s something else.
Meanwhile, in the future, Robin, now 25, returns to the empty apartment above the bar. He finds the turntable, photographs, and three numbered records. Playing Record No. 1, he falls through time—landing in the past, staring at the parents he never truly knew.
Over successive time jumps, Robin learns the truth: he was summoned. David and Marie, with nothing left, reached into the future hoping their son could witness and carry their story forward. Robin meets them as people—flawed, loving, frightened. And he begins to see himself.
Fred is coming. The past tightens its grip.
David and Marie spend their final night together. They prepare in silence and leave behind a note to their son.
Robin plays the third record. The apartment is different now. Shadows of violence hang heavy in the air. He hides with his child self as Fred storms in with two goons. A confrontation unfolds like a quiet war—measured, intimate, inevitable.
David, realizing that Robin is watching—and with no way to speak to him directly—makes an impossible choice.
To protect Marie from what Fred might do, and to send Robin a final message, David shoots Marie in front of the glass-top dinner table, grabbing his son’s attention. In that moment, he sends him a subtle cue: “Take a seat.”
Inside the table’s concave base, something is hidden.
Fred kills David. The record keeps spinning.
Robin returns to the present. Tears. Silence. Blood on vinyl. He breaks the final disc. Then—he takes a seat.
Lifting the glass of the dinner table, he finds two leather duffel bags stuffed with money—and a folded note: “Robbie, come back.”
With trembling hands, Robin places Record No. 1 back on the turntable. He picks up the bags.
The needle drops and scratches the disc.
© 2025 Whisp Pictures
© 2025 Whisp Pictures
© 2025 Whisp Pictures



© 2025 Ryan Kay | Whisp Pictures | All rights reserved
© 2025 Ryan Kay | Whisp Pictures | All rights reserved
© 2025 Ryan Kay | Whisp Pictures | All rights reserved

Money In

Money In

Money In
Personal Investment
Personal Investment
Personal Investment
Crowdfunding on Kickstarter
Crowdfunding on Kickstarter
Crowdfunding on Kickstarter
Grants & Funds
Grants & Funds
Grants & Funds
Private Investors
Private Investors
Private Investors

Money Out

Money Out

Money Out
Festival Circuit - Distribution Sales
Festival Circuit - Distribution Sales
Beirut Shorts | Sundance | Clermont-Ferrand | Berlinale | Tribeca | Raindance
Festival success attracts buyers & distributors
Festival success attracts buyers & distributors
Streaming & Digital Sales
Streaming & Digital Sales
Apple TV | Netflix | Prime Video | MUBI | Tubi | Vimeo On Demand | ShortsTV
Feature Film Expansion
Feature Film Expansion
Whiplash - Short-to-Feature - $49M gross
Lights Out - Viral Short - $148M feature
Thunder Road - Kickstarter-funded feature - $300K raised
The Stutterer - Oscar-Winning Short - Streaming sales success
Built as a proof of concept
Built as a proof of concept

Contribution

Contribution

Contribution
High-Impact Festival & Streaming Strategy
High-Impact Festival & Streaming Strategy
Multiple Revenue Streams - Sales, Licensing, Feature Film
Multiple Revenue Streams - Sales, Licensing, Feature Film
Proven ROI Potential in the Short-to-Feature Model
Proven ROI Potential in the Short-to-Feature Model
Ryan Kay - Entrepreneurial Filmmaker with a business-driven approach
Ryan Kay - Entrepreneurial Filmmaker with a business-driven approach
Pitch in
Interested?
Send us a message and be part of the making of this picture.
Pitch in
Interested?
Send us a message and be part of the making of this picture.
Pitch in
Interested?
Send us a message and be part of the making of this picture.
FAQ
Got questions? We’ve got answers.

The screenplay can be requested by sending us a message in the "Pitch in" form.

No, it’s entirely fictional. But like many powerful stories, it’s rooted in emotional truths and universal themes: Identity, legacy, love, and the passage of time.

The film is set and will be shot this June in Paris, France. The entire story unfolds in a single apartment, with time periods blending through art direction, lighting, and camera movement.

We plan to premiere Turntable at top-tier film festivals and use it as a stepping stone to fund and produce a feature-length prequel titled The Other Side, which delves deeper into David and Marie’s backstory.

Please send us your questions by filling in the "Pitch in" form.

The screenplay can be requested by sending us a message in the "Pitch in" form.

No, it’s entirely fictional. But like many powerful stories, it’s rooted in emotional truths and universal themes: Identity, legacy, love, and the passage of time.

The film is set and will be shot this June in Paris, France. The entire story unfolds in a single apartment, with time periods blending through art direction, lighting, and camera movement.

We plan to premiere Turntable at top-tier film festivals and use it as a stepping stone to fund and produce a feature-length prequel titled The Other Side, which delves deeper into David and Marie’s backstory.

Please send us your questions by filling in the "Pitch in" form.

The screenplay can be requested by sending us a message in the "Pitch in" form.

No, it’s entirely fictional. But like many powerful stories, it’s rooted in emotional truths and universal themes: Identity, legacy, love, and the passage of time.

The film is set and will be shot this June in Paris, France. The entire story unfolds in a single apartment, with time periods blending through art direction, lighting, and camera movement.

We plan to premiere Turntable at top-tier film festivals and use it as a stepping stone to fund and produce a feature-length prequel titled The Other Side, which delves deeper into David and Marie’s backstory.

Please send us your questions by filling in the "Pitch in" form.